Presenters
Jacen Tan
Working on Zo Gang [Film]
Filmmaker wannabe, Ah-Tan is sick of his day job. Join Ah-Tan on his way to work one day, as he discusses and pokes fun at local film and music, while plotting his path to become Singapore’s next great director. This dark comedy on the difficulties of making film and music will leave you wondering about the state of the Arts in Singapore!
Stephen Black
Voice of Pieces # 53 Farm version: Five years in Singapore/10 slides [Digital Visual Arts]
Voice of Pieces is the name of an ongoing international project in which useless pieces of paper are collected, joined and released to the public in editions of 100. Over 50 editions have been created over the past 12 years, resulting in 5000+ pieces.
This V.O.P. is unusual in that it will not only be live, informative and open-ended, but it will utilize the MGK 3D gamemaking software to present the activities of Stephen Black in Singapore. These activities include photography, artworks, publishing projects, educational gamemaking research, writing, video production and creative direction.
Interested in working with the MGK gamemaking software? Make a one minute pitch and win a copy. Offer is limited.
Ben Puah
I am Ben Puah [Art]
Ben Puah is an established artist, who currently lives and works in Singapore. He see himself as rat in a laboratory(world) where experiments are being carried out on him and he is the result of them.
He is exploring on his art movement POST SURREAL MONOPOLYISM in his works which explores theme of self identity(real & unreal going in a parallel line) in our cosmopolitan society and re-interpret it in his own world.
His works are in forms of paintings, drawings, sculptures, performance art, music, film and streetwear.
Ben’s love for children inspired him to organise public art projects with active participation from schools, Singapore Children’s Society and community.
In our world full of uncertainties, Ben want to create artworks with the young ones to spread the message of PEACE, LOVE and CELEBRATION OF LIFE across to the masses.
Ben Puah has exhibited his works in Singapore, Australia, Japan, USA, Vietnam, Indonesia, Thailand, Brazil, London, Malaysia and China. His artwork is in the public and private collections in numerous local and international locations.
Lynn Lu
Inadequate Reality Adaptation [Performance Art]
In my practice, the sentient body is seen as the main medium for perceiving and presenting meaning through direct personal experience. Primarily as an attempt to explain things to myself, I examine familiar objects and ordinary human activities / interactions to see how we understand the shared conditions/predicaments we find ourselves immersed in on a daily basis. Gingerly unearthing our hidden values, assumptions, and beliefs, I attempt to articulate the tacit and affective meanings, both cerebral and somatic, that fall between the gaps of verbal communication.
My current research looks at the connection between experiential knowledge and the innate human capacity for empathy, in relation to a genre performance art I call “gutty”. This gutty form of performance art which uses the body just as it is – as vulnerable/resilient/sensitive as it is in everyday life – relies heavily on empathy to create meaning that is not merely cognitive but also haptic and affective. In other words, I look at why some performances not only tickle our brains but also quite literally leave us feeling like we’ve been punched in the gut.
Joo Choon Lin
Ring Master and The Chocolate Wrapper Toys [Art]
My work usually starts with a simple story, with characters created that mimic behaviors of people around me. Each character has a particular personality, role and responsibility in this world that I create. As part of a drawing, sculpture installation or animation, these creatures went about in their own ways in scenes constructed that are reminiscent of our own daily activities.
Ring master is an orphan, always with a cape and a beckoning gesture. She makes her own toys using found and discarded objects, such as chocolate wrappers. In Chocolate Wrapper Toys series, the copper plate was used to imitate the chocolate wrapper.
With the medium of printmaking, I made many etchings of images using copper plates. The images are incised onto the plates using acid, inked and printed onto paper using a press. The copper plates are treated as by-products because it is not possible to reuse them for another edition of prints. However, due to its malleable nature, I was able to reclaim them and transform them into sculptures. The process of recycling
the etching plates and then turning them from a two-dimensional to a three-dimensional work, showed the inter-connectivity between many art forms.


























































